Mikrokosmos, Sz 107, BB 105,Sz 107, BB 105 (1926-39)

piano

Mouvements

  • Livre I
    • Six mélodies à l’unisson
      • Six mélodies à l’unisson (I), [1]
      • Six mélodies à l’unisson (II), [2a]
      • Six mélodies à l’unisson (II), [2b]
      • Six mélodies à l’unisson (III), [3]
      • Six mélodies à l’unisson (IV), [4]
      • Six mélodies à l’unisson (V), [5]
      • Six mélodies à l’unisson (VI), [6]
    • Notes pointées, [7]
    • Repetition (1), [8]
    • Syncopation (I), [9]
    • Mains alternées, [10]
    • Mouvement parallèle, [11]
    • Reflection, [12]
    • Change of Position, [13]
    • Question and Answer, [14]
    • Village Song, [15]
    • Mouvement parallèle avec changement de position, [16]
    • Contrary Motion, [17]
    • Quatre mélodies à l’unisson
      • Quatre mélodies à l’unisson (I), [18]
      • Quatre mélodies à l’unisson (II), [19]
      • Quatre mélodies à l’unisson (III), [20]
      • Quatre mélodies à l’unisson (IV), [21]
    • Imitation and Counterpoint, [22]
    • Imitation and Inversion (I), [23]
    • Pastorale, [24]
    • Imitation et inversion (II), [25]
    • Répétition (II), [26]
    • Rythme syncopé (II), [27]
    • Canon at the Octave, [28]
    • Imitation Reflected, [29]
    • Canon at the Lower Fifth, [30]
    • Dance in Canon Form, [31]
    • In Dorian Mode, [32]
    • Slow Dance, [33]
    • In Phrygian Mode, [34]
    • Chorale, [35]
    • Free Canon, [36]
  • Livre II
    • In Lydian Mode, [37]
    • Staccato and Legato (I), [38]
    • Staccato and Legato (Canon), [39]
    • In Yugoslav Style, [40]
    • Mélodie avec accompagnement, [41]
    • Accompagnement en accords brisés, [42]
    • In Hungarian Style, [43a]
    • In Hungarian Style, [43b]
    • Contrary Motion (2), [44]
    • Méditation, [45]
    • En augmentant — en diminuant, [46]
    • County Fair, [47]
    • En mode mixolydien, [48]
    • Crescendo-Diminuendo, [49]
    • Minuetto, [50]
    • Waves, [51]
    • Unisson divisé, [52]
    • In Transylvanian Style, [53]
    • Chromatique, [54]
    • Triplets in Lydian Mode, [55]
    • Mélodie en dixièmes, [56]
    • Accents, [57]
    • L’Extrême-Orient, [58]
    • Majeur et mineur, [59]
    • Canon with Sustained Notes, [60]
    • Mélodie pentatonique, [61]
    • Minor Sixths in Parallel Motion, [62]
    • Bourdonnement, [63]
    • Line against Point, [64a]
    • Line against Point, [64b]
    • Dialogue, [65]
    • Melody Divided, [66]
  • Livre III
    • Thirds against a Single Voice, [67]
    • Danse hongroise, [68]
    • Study in Chords, [69]
    • Mélodie contre double-cordes, [70]
    • Thirds, [71]
    • Dragons’ Dance, [72]
    • Sixtes et accords, [73]
    • Chanson hongroise, [74a]
    • Chanson hongroise, [74b]
    • Triolets, [75]
    • In Three Parts, [76]
    • Little Study, [77]
    • Gamme pentatonique, [78]
    • Hommage à Johann Sebastian Bach, [79]
    • Hommage à Robert Schumann, [80]
    • Wandering, [81]
    • Scherzo, [82]
    • Melody with Interruptions, [83]
    • Merriment, [84]
    • Broken Chords’, [85]
    • Two Major Pentachords, [86]
    • Variations, [87]
    • Duet for Pipes, [88]
    • In Four Parts (I), [89]
    • In Russian Style, [90]
    • Chromatic Invention (I), [91]
    • Chromatic Invention (II), [92]
    • In Four Parts (II), [93]
    • Once Upon a Time…, [94]
    • Fox Song, [95a]
    • Fox Song, [95b]
    • Jolts, [96]
  • Livre IV
    • Notturno, [97]
    • Thumbs Under, [98]
    • Hands Crossing, [99]
    • In Folk Song Style, [100]
    • Diminished Fifth, [101]
    • Harmonics, [102]
    • Minor and Major, [103]
    • Wandering through the Keys, [104a]
    • Wandering through the Keys, [104b]
    • Game (with Two Five-Tone Scales), [105]
    • Children’s Song, [106]
    • Melody in the Mist, [107]
    • Wrestling, [108]
    • From the Island of Bali, [109]
    • And the Sounds Clash and Clang…, [110]
    • Intermezzo, [111]
    • Variations on a Folk Tune, [112]
    • Bulgarian Rhythm (I), [113]
    • Theme and Inversion, [114]
    • Bulgarian Rhythm (II), [115]
    • Song, [116]
    • Bourrée, [117]
    • Triplets in 9/8 Time, [118]
    • Dance in 3/4 Time, [119]
    • Triads, [120]
    • Two-Part Study, [121]
  • Livre V
    • Chords Together and in Opposition, [122]
    • Staccato and Legato (II), [123a]
    • Staccato and Legato (II), [123b]
    • Staccato, [124]
    • Boating, [125]
    • Change of Time, [126]
    • New Hungarian Folk Song, [127]
    • Stamping Dance, [128]
    • Alternating Thirds, [129]
    • Village Joke, [130]
    • Fourths, [131]
    • Major Seconds Broken and Together, [132]
    • Syncopation (III), [133]
    • Studies in Double Notes, [134a]
    • Studies in Double Notes, [134b]
    • Studies in Double Notes, [134c]
    • Perpetuum mobile, [135]
    • Whole-Tone Scales, [136]
    • Unison, [137]
    • Bagpipe Music, [138]
    • Merry Andrew, [139]
  • Livre VI
    • Free Variations, [140]
    • Subject and Reflection, [141]
    • From the Diary of a Fly, [142]
    • Divided Arpeggios, [143]
    • Minor Seconds, Major Sevenths, [144]
    • Chromatic Invention (III), [145a]
    • Chromatic Invention (III), [145b]
    • Ostinato, [146]
    • March, [147]
    • Six Dances in Bulgarian Rhythm
      • Six Dances in Bulgarian Rhythm (I), [148]
      • Six Dances in Bulgarian Rhythm (II), [149]
      • Six Dances in Bulgarian Rhythm (III), [150]
      • Six Dances in Bulgarian Rhythm (IV), [151]
      • Six Dances in Bulgarian Rhythm (V), [152]
      • Six Dances in Bulgarian Rhythm (VI), [153]

Captations audio

  • Enregistré en concert le Mardi 4 novembre 2014 • Quartetski (Joshua Zubot, violon; Philippe Lauzier, clarinette basse, saxophone soprano; Pierre-Yves Martel, basse électrique, synthétiseur, objets; Isaiah Ceccarelli, batterie; Bernard Falaise, guitare électrique)
  • Enregistré en concert le Mardi 4 novembre 2014 • Quartetski (Joshua Zubot, violon; Philippe Lauzier, clarinette basse, saxophone soprano; Pierre-Yves Martel, basse électrique, synthétiseur, objets; Isaiah Ceccarelli, batterie; Bernard Falaise, guitare électrique)

Notes de programme