Mikrokosmos, Sz 107, BB 105,Sz 107, BB 105 (1926-39)
piano
Mouvements
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Livre I
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Six mélodies à l’unisson
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Six mélodies à l’unisson (I), [1]
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Six mélodies à l’unisson (II), [2a]
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Six mélodies à l’unisson (II), [2b]
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Six mélodies à l’unisson (III), [3]
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Six mélodies à l’unisson (IV), [4]
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Six mélodies à l’unisson (V), [5]
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Six mélodies à l’unisson (VI), [6]
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Notes pointées, [7]
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Repetition (1), [8]
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Syncopation (I), [9]
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Mains alternées, [10]
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Mouvement parallèle, [11]
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Reflection, [12]
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Change of Position, [13]
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Question and Answer, [14]
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Village Song, [15]
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Mouvement parallèle avec changement de position, [16]
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Contrary Motion, [17]
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Quatre mélodies à l’unisson
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Quatre mélodies à l’unisson (I), [18]
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Quatre mélodies à l’unisson (II), [19]
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Quatre mélodies à l’unisson (III), [20]
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Quatre mélodies à l’unisson (IV), [21]
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Imitation and Counterpoint, [22]
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Imitation and Inversion (I), [23]
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Pastorale, [24]
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Imitation et inversion (II), [25]
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Répétition (II), [26]
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Rythme syncopé (II), [27]
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Canon at the Octave, [28]
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Imitation Reflected, [29]
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Canon at the Lower Fifth, [30]
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Dance in Canon Form, [31]
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In Dorian Mode, [32]
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Slow Dance, [33]
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In Phrygian Mode, [34]
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Chorale, [35]
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Free Canon, [36]
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Livre II
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In Lydian Mode, [37]
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Staccato and Legato (I), [38]
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Staccato and Legato (Canon), [39]
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In Yugoslav Style, [40]
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Mélodie avec accompagnement, [41]
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Accompagnement en accords brisés, [42]
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In Hungarian Style, [43a]
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In Hungarian Style, [43b]
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Contrary Motion (2), [44]
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Méditation, [45]
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En augmentant — en diminuant, [46]
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County Fair, [47]
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En mode mixolydien, [48]
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Crescendo-Diminuendo, [49]
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Minuetto, [50]
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Waves, [51]
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Unisson divisé, [52]
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In Transylvanian Style, [53]
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Chromatique, [54]
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Triplets in Lydian Mode, [55]
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Mélodie en dixièmes, [56]
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Accents, [57]
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L’Extrême-Orient, [58]
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Majeur et mineur, [59]
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Canon with Sustained Notes, [60]
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Mélodie pentatonique, [61]
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Minor Sixths in Parallel Motion, [62]
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Bourdonnement, [63]
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Line against Point, [64a]
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Line against Point, [64b]
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Dialogue, [65]
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Melody Divided, [66]
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Livre III
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Thirds against a Single Voice, [67]
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Danse hongroise, [68]
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Study in Chords, [69]
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Mélodie contre double-cordes, [70]
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Thirds, [71]
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Dragons’ Dance, [72]
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Sixtes et accords, [73]
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Chanson hongroise, [74a]
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Chanson hongroise, [74b]
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Triolets, [75]
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In Three Parts, [76]
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Little Study, [77]
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Gamme pentatonique, [78]
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Hommage à Johann Sebastian Bach, [79]
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Hommage à Robert Schumann, [80]
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Wandering, [81]
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Scherzo, [82]
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Melody with Interruptions, [83]
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Merriment, [84]
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Broken Chords’, [85]
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Two Major Pentachords, [86]
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Variations, [87]
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Duet for Pipes, [88]
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In Four Parts (I), [89]
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In Russian Style, [90]
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Chromatic Invention (I), [91]
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Chromatic Invention (II), [92]
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In Four Parts (II), [93]
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Once Upon a Time…, [94]
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Fox Song, [95a]
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Fox Song, [95b]
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Jolts, [96]
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Livre IV
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Notturno, [97]
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Thumbs Under, [98]
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Hands Crossing, [99]
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In Folk Song Style, [100]
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Diminished Fifth, [101]
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Harmonics, [102]
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Minor and Major, [103]
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Wandering through the Keys, [104a]
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Wandering through the Keys, [104b]
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Game (with Two Five-Tone Scales), [105]
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Children’s Song, [106]
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Melody in the Mist, [107]
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Wrestling, [108]
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From the Island of Bali, [109]
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And the Sounds Clash and Clang…, [110]
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Intermezzo, [111]
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Variations on a Folk Tune, [112]
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Bulgarian Rhythm (I), [113]
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Theme and Inversion, [114]
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Bulgarian Rhythm (II), [115]
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Song, [116]
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Bourrée, [117]
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Triplets in 9/8 Time, [118]
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Dance in 3/4 Time, [119]
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Triads, [120]
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Two-Part Study, [121]
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Livre V
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Chords Together and in Opposition, [122]
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Staccato and Legato (II), [123a]
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Staccato and Legato (II), [123b]
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Staccato, [124]
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Boating, [125]
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Change of Time, [126]
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New Hungarian Folk Song, [127]
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Stamping Dance, [128]
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Alternating Thirds, [129]
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Village Joke, [130]
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Fourths, [131]
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Major Seconds Broken and Together, [132]
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Syncopation (III), [133]
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Studies in Double Notes, [134a]
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Studies in Double Notes, [134b]
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Studies in Double Notes, [134c]
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Perpetuum mobile, [135]
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Whole-Tone Scales, [136]
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Unison, [137]
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Bagpipe Music, [138]
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Merry Andrew, [139]
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Livre VI
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Free Variations, [140]
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Subject and Reflection, [141]
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From the Diary of a Fly, [142]
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Divided Arpeggios, [143]
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Minor Seconds, Major Sevenths, [144]
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Chromatic Invention (III), [145a]
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Chromatic Invention (III), [145b]
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Ostinato, [146]
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March, [147]
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Six Dances in Bulgarian Rhythm
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Six Dances in Bulgarian Rhythm (I), [148]
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Six Dances in Bulgarian Rhythm (II), [149]
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Six Dances in Bulgarian Rhythm (III), [150]
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Six Dances in Bulgarian Rhythm (IV), [151]
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Six Dances in Bulgarian Rhythm (V), [152]
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Six Dances in Bulgarian Rhythm (VI), [153]
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Captations audio
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Enregistré en concert le Mardi 4 novembre 2014 • Quartetski (Joshua Zubot, violon; Philippe Lauzier, clarinette basse, saxophone soprano; Pierre-Yves Martel, basse électrique, synthétiseur, objets; Isaiah Ceccarelli, batterie; Bernard Falaise, guitare électrique)
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Enregistré en concert le Mardi 4 novembre 2014 • Quartetski (Joshua Zubot, violon; Philippe Lauzier, clarinette basse, saxophone soprano; Pierre-Yves Martel, basse électrique, synthétiseur, objets; Isaiah Ceccarelli, batterie; Bernard Falaise, guitare électrique)