A duo featuring the hollowed-out of amplified clarinet and trumpet, Sound of the Mountain comes from a strong history of improvisation and extended performance techniques, offering their audience long-form deep listening experiences through the sculpting of vitalized breath.
Since forming in 2015, they have played over 100 concerts together, developing a sound language which merges acoustic and electronic textures through amplification and extended performance techniques. With this language they create long-form improvised soundscapes, evoking a vast range of textures, from silence and spaciousness, to rumbling bass and room saturation. The duo works with closely-mic’d instruments and minimal equalization, avoiding the use of effects pedals and loops, such that their constant physical attention drives the music. The whistles and creaking of metal and reed anticipate the more dense moments of distortion and feedback in pieces that can be appreciated as discreet moments, or longer forms.
Active touring artists, they have played internationally throughout Japan, Taiwan, Vietnam, Malaysia and Australia, and coast-to-coast throughout Canada. Making a point of collaboration, the duo has collaborated with Japanese improvised music pioneers Toshimaru Nakamura, Tetuzi Akiyama, Takahiro Kawaguchi, Michiyo Yagi and Akira Sakata, Canadian experimental trailblazers like the electro-acoustic duo Instant Places, Tone Deaf’s Matt Rogalsky, or Guelph’s own hurdy-gurdy player Ben Grossman, and members of Quebec’s experimental electronic community Alain Lefevbre, Anne-F Jacques, and Alexandre St-Onge, along with many many more. Favouring community-building and DIY ethics you’re most likely to hear them playing in your friend’s basement, artist-run-centres, galleries and cafes.
Thursday, March 21, 2019