All works performed
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Ryoko Akama, Bala bala (2021)
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Ryoko Akama, Dara dara (2021)
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Ryoko Akama, Koso koso (2021)
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Fortner Anderson, Solitary Pleasure (2011)
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Georges Aperghis, Récitations (1978)female voice
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Récitation 1
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Récitation 2
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Récitation 3
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Récitation 4
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Récitation 5
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Récitation 6
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Récitation 7
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Récitation 8
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Récitation 9
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Récitation 10
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Récitation 11
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Récitation 12
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Récitation 13
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Récitation 14
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Serge Arcuri, Walter Boudreau, Vincent Collard, Yves Daoust, Alain Dauphinais, André Duchesne, Louis Dufort, Sean Ferguson, Michel Gonneville, André Hamel, Alain Lalonde, Estelle Lemire, Jean Lesage, Luc Marcel, Marie Pelletier, John Rea, Anthony Rozankovic, Gilles Tremblay, Symphonie du millénaire (2000; Arr. Denys Bouliane)333 musicians, 2000 bell-ringers, 15 steeples, great organ, 56-bell chime and 2 fire trucksCommission: SMCQ, with support from the CCA and CALQ
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Appel
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Enfer
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Purgatoire
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Comtemplation / Aurores boréales
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Paradis
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Ascension
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Apothéose & Épilogue
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Cecilia Arditto, Distancia de rescate (2018)8 string instruments (low register)
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Karèya Audet, … et c’est grave? (2000)fixed medium
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other instrument
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Magali Babin, Minitronique (2019)other instrument
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Magali Babin, Minitroniques (2018)radios, tape recorders, digital audio players and whistles
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4 groups of musicians (bells, bells, plastic sheet, cardboard tubes, scouring pads, aluminum plates, aluminum balls, aluminum cups, bottles, plastic glasses)
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Magali Babin, Prélude féminin (2019)
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Magali Babin, Triturations (2000)stereo fixed medium
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Wende Bartley, Ocean of Ages Revealed (1991)stereo fixed mediumCommission: CKLN FM (David Olds) with support from the Ontario Arts Council
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Béla Bartók, Mikrokosmos, Sz 107, BB 105 (1926-39)piano
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Book I
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Six Unison Melodies
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Six Unison Melodies (I), [1]
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Six Unison Melodies (II), [2a]
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Six Unison Melodies (II), [2b]
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Six Unison Melodies (III), [3]
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Six Unison Melodies (IV), [4]
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Six Unison Melodies (V), [5]
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Six Unison Melodies (VI), [6]
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Dotted Notes, [7]
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Repetition (1), [8]
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Syncopation (I), [9]
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With Alternate Hands, [10]
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Parallel Motion, [11]
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Reflection, [12]
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Change of Position, [13]
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Question and Answer, [14]
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Village Song, [15]
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Parallel Motion with Change of Position, [16]
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Contrary Motion, [17]
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Four Unison Melodies
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Four Unison Melodies (I), [18]
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Four Unison Melodies (II), [19]
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Four Unison Melodies (III), [20]
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Four Unison Melodies (IV), [21]
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Imitation and Counterpoint, [22]
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Imitation and Inversion (I), [23]
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Pastorale, [24]
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Imitation and Inversion (II), [25]
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Repetition (II), [26]
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Syncopation (II), [27]
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Canon at the Octave, [28]
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Imitation Reflected, [29]
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Canon at the Lower Fifth, [30]
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Dance in Canon Form, [31]
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In Dorian Mode, [32]
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Slow Dance, [33]
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In Phrygian Mode, [34]
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Chorale, [35]
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Free Canon, [36]
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Book II
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In Lydian Mode, [37]
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Staccato and Legato (I), [38]
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Staccato and Legato (Canon), [39]
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In Yugoslav Style, [40]
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Melody with Accompaniment, [41]
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Accompaniment in Broken Triads, [42]
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In Hungarian Style, [43a]
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In Hungarian Style, [43b]
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Contrary Motion (2), [44]
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Meditation, [45]
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Increasing-Diminishing, [46]
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County Fair, [47]
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In Mixolydian Mode, [48]
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Crescendo-Diminuendo, [49]
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Minuetto, [50]
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Waves, [51]
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Unison Divided, [52]
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In Transylvanian Style, [53]
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Chromatics, [54]
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Triplets in Lydian Mode, [55]
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Melody in Tenths, [56]
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Accents, [57]
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In Oriental Style, [58]
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Major and Minor, [59]
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Canon with Sustained Notes, [60]
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Pentatonic Melody, [61]
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Minor Sixths in Parallel Motion, [62]
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Buzzing, [63]
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Line against Point, [64a]
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Line against Point, [64b]
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Dialogue, [65]
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Melody Divided, [66]
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Book III
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Thirds against a Single Voice, [67]
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Hungarian Dance, [68]
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Study in Chords, [69]
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Melody against Double Notes, [70]
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Thirds, [71]
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Dragons’ Dance, [72]
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Sixths and Triads, [73]
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Hungarian Matchmaking Song, [74a]
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Hungarian Matchmaking Song, [74b]
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Triplets, [75]
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In Three Parts, [76]
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Little Study, [77]
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Five-Tone Scale, [78]
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Tribute to Johann Sebastian Bach, [79]
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Tribute to Robert Schumann, [80]
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Wandering, [81]
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Scherzo, [82]
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Melody with Interruptions, [83]
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Merriment, [84]
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Broken Chords’, [85]
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Two Major Pentachords, [86]
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Variations, [87]
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Duet for Pipes, [88]
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In Four Parts (I), [89]
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In Russian Style, [90]
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Chromatic Invention (I), [91]
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Chromatic Invention (II), [92]
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In Four Parts (II), [93]
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Once Upon a Time…, [94]
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Fox Song, [95a]
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Fox Song, [95b]
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Jolts, [96]
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Book IV
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Notturno, [97]
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Thumbs Under, [98]
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Hands Crossing, [99]
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In Folk Song Style, [100]
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Diminished Fifth, [101]
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Harmonics, [102]
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Minor and Major, [103]
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Wandering through the Keys, [104a]
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Wandering through the Keys, [104b]
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Game (with Two Five-Tone Scales), [105]
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Children’s Song, [106]
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Melody in the Mist, [107]
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Wrestling, [108]
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From the Island of Bali, [109]
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And the Sounds Clash and Clang…, [110]
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Intermezzo, [111]
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Variations on a Folk Tune, [112]
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Bulgarian Rhythm (I), [113]
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Theme and Inversion, [114]
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Bulgarian Rhythm (II), [115]
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Song, [116]
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Bourrée, [117]
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Triplets in 9/8 Time, [118]
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Dance in 3/4 Time, [119]
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Triads, [120]
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Two-Part Study, [121]
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Book V
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Chords Together and in Opposition, [122]
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Staccato and Legato (II), [123a]
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Staccato and Legato (II), [123b]
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Staccato, [124]
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Boating, [125]
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Change of Time, [126]
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New Hungarian Folk Song, [127]
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Stamping Dance, [128]
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Alternating Thirds, [129]
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Village Joke, [130]
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Fourths, [131]
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Major Seconds Broken and Together, [132]
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Syncopation (III), [133]
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Studies in Double Notes, [134a]
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Studies in Double Notes, [134b]
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Studies in Double Notes, [134c]
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Perpetuum mobile, [135]
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Whole-Tone Scales, [136]
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Unison, [137]
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Bagpipe Music, [138]
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Merry Andrew, [139]
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Book VI
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Free Variations, [140]
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Subject and Reflection, [141]
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From the Diary of a Fly, [142]
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Divided Arpeggios, [143]
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Minor Seconds, Major Sevenths, [144]
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Chromatic Invention (III), [145a]
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Chromatic Invention (III), [145b]
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Ostinato, [146]
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March, [147]
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Six Dances in Bulgarian Rhythm
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Six Dances in Bulgarian Rhythm (I), [148]
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Six Dances in Bulgarian Rhythm (II), [149]
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Six Dances in Bulgarian Rhythm (III), [150]
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Six Dances in Bulgarian Rhythm (IV), [151]
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Six Dances in Bulgarian Rhythm (V), [152]
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Six Dances in Bulgarian Rhythm (VI), [153]
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Six Unison Melodies
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Dotted Notes, [7]
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With Alternate Hands, [10]
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Parallel Motion, [11]
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Pentatonic Melody, [61]
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Five-Tone Scale, [78]
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Parallel Motion with Change of Position, [16]
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Melody with Accompaniment, [41]
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Four Unison Melodies (IV), [21]
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Imitation and Inversion (II), [25]
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Repetition (II), [26]
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Accompaniment in Broken Triads, [42]
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Meditation, [45]
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Syncopation (II), [27]
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In Oriental Style, [58]
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Sixths and Triads, [73]
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Increasing-Diminishing, [46]
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In Mixolydian Mode, [48]
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Unison Divided, [52]
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Melody in Tenths, [56]
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Major and Minor, [59]
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Triplets, [75]
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Tribute to Robert Schumann, [80]
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Buzzing, [63]
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Hungarian Matchmaking Song, [74a]
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Dialogue, [65]
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Hungarian Dance, [68]
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Melody against Double Notes, [70]
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Kim Baryluk, Circle is Cast (1997)chorus
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chorus
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Adam Basanta, Only, only, only, only (2018)string quartet and 4-channel feedback system
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small ensemble and lighting
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Rémy Bélanger de Beauport, Læma (2021)string quartet