All works performed

Norman Adams, Tim Crofts, Sam Shalabi, [Improvisation of Wednesday, April 11, 2018]
Ryoko Akama, Bala bala (2021)
Ryoko Akama, Dara dara (2021)
Ryoko Akama, Koso koso (2021)
Akiyama Tetuzi, Elizabeth Millar, Toshimaru Nakamura, Craig Pedersen, amplified clarinet and trumpet, guitars, nimb, 27 october 2019 (2019)
Sarah Albu, Gabriel Dharmoo, Sebastian Dumitrescu, Kathy Kennedy, Elizabeth Lima, Grisell Macdonel-Kvist, Vahram Sarkissian, Niilo Tarnanen, Andrea Young, Lemmenhuuto of alien angels et oiseaux nordiques… (2019)
Fortner Anderson, Solitary Pleasure (2011)
Georges Aperghis, Récitations (1978)

female voice
- Récitation 1
- Récitation 2
- Récitation 3
- Récitation 4
- Récitation 5
- Récitation 6
- Récitation 7
- Récitation 8
- Récitation 9
- Récitation 10
- Récitation 11
- Récitation 12
- Récitation 13
- Récitation 14
Serge Arcuri, Walter Boudreau, Vincent Collard, Yves Daoust, Alain Dauphinais, André Duchesne, Louis Dufort, Sean Ferguson, Michel Gonneville, André Hamel, Alain Lalonde, Estelle Lemire, Jean Lesage, Luc Marcel, Marie Pelletier, John Rea, Anthony Rozankovic, Gilles Tremblay, Symphonie du millénaire (2000; Arr. Denys Bouliane)

333 musicians, 2000 bell-ringers, 15 steeples, great organ, 56-bell chime and 2 fire trucks

Commission: SMCQ, with support from the CCA and CALQ
- Appel
- Enfer
- Purgatoire
- Comtemplation / Aurores boréales
- Paradis
- Ascension
- Apothéose & Épilogue
Cecilia Arditto, Distancia de rescate (2018)

8 string instruments (low register)
Karèya Audet, … et c’est grave? (2000)

fixed medium
Magali Babin, Joane Hétu, Danielle Palardy Roger, Les bruits en folie (2018)

other instrument
Magali Babin, L’envers de l’endroit
Magali Babin, Alexander MacSween, [Improvisation of Thursday, March 8, 2012]
Magali Babin, Minitronique (2019)

other instrument
Magali Babin, Minitroniques (2018)

radios, tape recorders, digital audio players and whistles
Magali Babin, Danielle Palardy Roger, Les petits bruits (2009)

4 groups of musicians (bells, bells, plastic sheet, cardboard tubes, scouring pads, aluminum plates, aluminum balls, aluminum cups, bottles, plastic glasses)
Magali Babin, Prélude féminin (2019)
Magali Babin, solo #13
Magali Babin, Cléo Palacio-Quintin, Jean-François Primeau, SuperMusique d’hiver (2021)
Magali Babin, Triturations (2000)

stereo fixed medium
Magali Babin, Une petite note dans le système (2015)
Wende Bartley, Ocean of Ages Revealed (1991)

stereo fixed medium

Commission: CKLN FM (David Olds) with support from the Ontario Arts Council
Béla Bartók, Mikrokosmos, Sz 107, BB 105 (1926-39)

piano
- Book I
  - Six Unison Melodies
    - Six Unison Melodies (I), [1]
    - Six Unison Melodies (II), [2a]
    - Six Unison Melodies (II), [2b]
    - Six Unison Melodies (III), [3]
    - Six Unison Melodies (IV), [4]
    - Six Unison Melodies (V), [5]
    - Six Unison Melodies (VI), [6]
  - Dotted Notes, [7]
  - Repetition (1), [8]
  - Syncopation (I), [9]
  - With Alternate Hands, [10]
  - Parallel Motion, [11]
  - Reflection, [12]
  - Change of Position, [13]
  - Question and Answer, [14]
  - Village Song, [15]
  - Parallel Motion with Change of Position, [16]
  - Contrary Motion, [17]
  - Four Unison Melodies
    - Four Unison Melodies (I), [18]
    - Four Unison Melodies (II), [19]
    - Four Unison Melodies (III), [20]
    - Four Unison Melodies (IV), [21]
  - Imitation and Counterpoint, [22]
  - Imitation and Inversion (I), [23]
  - Pastorale, [24]
  - Imitation and Inversion (II), [25]
  - Repetition (II), [26]
  - Syncopation (II), [27]
  - Canon at the Octave, [28]
  - Imitation Reflected, [29]
  - Canon at the Lower Fifth, [30]
  - Dance in Canon Form, [31]
  - In Dorian Mode, [32]
  - Slow Dance, [33]
  - In Phrygian Mode, [34]
  - Chorale, [35]
  - Free Canon, [36]
- Book II
  - In Lydian Mode, [37]
  - Staccato and Legato (I), [38]
  - Staccato and Legato (Canon), [39]
  - In Yugoslav Style, [40]
  - Melody with Accompaniment, [41]
  - Accompaniment in Broken Triads, [42]
  - In Hungarian Style, [43a]
  - In Hungarian Style, [43b]
  - Contrary Motion (2), [44]
  - Meditation, [45]
  - Increasing-Diminishing, [46]
  - County Fair, [47]
  - In Mixolydian Mode, [48]
  - Crescendo-Diminuendo, [49]
  - Minuetto, [50]
  - Waves, [51]
  - Unison Divided, [52]
  - In Transylvanian Style, [53]
  - Chromatics, [54]
  - Triplets in Lydian Mode, [55]
  - Melody in Tenths, [56]
  - Accents, [57]
  - In Oriental Style, [58]
  - Major and Minor, [59]
  - Canon with Sustained Notes, [60]
  - Pentatonic Melody, [61]
  - Minor Sixths in Parallel Motion, [62]
  - Buzzing, [63]
  - Line against Point, [64a]
  - Line against Point, [64b]
  - Dialogue, [65]
  - Melody Divided, [66]
- Book III
  - Thirds against a Single Voice, [67]
  - Hungarian Dance, [68]
  - Study in Chords, [69]
  - Melody against Double Notes, [70]
  - Thirds, [71]
  - Dragons’ Dance, [72]
  - Sixths and Triads, [73]
  - Hungarian Matchmaking Song, [74a]
  - Hungarian Matchmaking Song, [74b]
  - Triplets, [75]
  - In Three Parts, [76]
  - Little Study, [77]
  - Five-Tone Scale, [78]
  - Tribute to Johann Sebastian Bach, [79]
  - Tribute to Robert Schumann, [80]
  - Wandering, [81]
  - Scherzo, [82]
  - Melody with Interruptions, [83]
  - Merriment, [84]
  - Broken Chords’, [85]
  - Two Major Pentachords, [86]
  - Variations, [87]
  - Duet for Pipes, [88]
  - In Four Parts (I), [89]
  - In Russian Style, [90]
  - Chromatic Invention (I), [91]
  - Chromatic Invention (II), [92]
  - In Four Parts (II), [93]
  - Once Upon a Time…, [94]
  - Fox Song, [95a]
  - Fox Song, [95b]
  - Jolts, [96]
- Book IV
  - Notturno, [97]
  - Thumbs Under, [98]
  - Hands Crossing, [99]
  - In Folk Song Style, [100]
  - Diminished Fifth, [101]
  - Harmonics, [102]
  - Minor and Major, [103]
  - Wandering through the Keys, [104a]
  - Wandering through the Keys, [104b]
  - Game (with Two Five-Tone Scales), [105]
  - Children’s Song, [106]
  - Melody in the Mist, [107]
  - Wrestling, [108]
  - From the Island of Bali, [109]
  - And the Sounds Clash and Clang…, [110]
  - Intermezzo, [111]
  - Variations on a Folk Tune, [112]
  - Bulgarian Rhythm (I), [113]
  - Theme and Inversion, [114]
  - Bulgarian Rhythm (II), [115]
  - Song, [116]
  - Bourrée, [117]
  - Triplets in 9/8 Time, [118]
  - Dance in 3/4 Time, [119]
  - Triads, [120]
  - Two-Part Study, [121]
- Book V
  - Chords Together and in Opposition, [122]
  - Staccato and Legato (II), [123a]
  - Staccato and Legato (II), [123b]
  - Staccato, [124]
  - Boating, [125]
  - Change of Time, [126]
  - New Hungarian Folk Song, [127]
  - Stamping Dance, [128]
  - Alternating Thirds, [129]
  - Village Joke, [130]
  - Fourths, [131]
  - Major Seconds Broken and Together, [132]
  - Syncopation (III), [133]
  - Studies in Double Notes, [134a]
  - Studies in Double Notes, [134b]
  - Studies in Double Notes, [134c]
  - Perpetuum mobile, [135]
  - Whole-Tone Scales, [136]
  - Unison, [137]
  - Bagpipe Music, [138]
  - Merry Andrew, [139]
- Book VI
  - Free Variations, [140]
  - Subject and Reflection, [141]
  - From the Diary of a Fly, [142]
  - Divided Arpeggios, [143]
  - Minor Seconds, Major Sevenths, [144]
  - Chromatic Invention (III), [145a]
  - Chromatic Invention (III), [145b]
  - Ostinato, [146]
  - March, [147]
  - Six Dances in Bulgarian Rhythm
    - Six Dances in Bulgarian Rhythm (I), [148]
    - Six Dances in Bulgarian Rhythm (II), [149]
    - Six Dances in Bulgarian Rhythm (III), [150]
    - Six Dances in Bulgarian Rhythm (IV), [151]
    - Six Dances in Bulgarian Rhythm (V), [152]
    - Six Dances in Bulgarian Rhythm (VI), [153]
Béla Bartók, Mikrokosmos, Sz 107, BB 105 (1926-39; Arr. Pierre-Yves Martel, 2016)
- Six Unison Melodies
- Dotted Notes, [7]
- With Alternate Hands, [10]
- Parallel Motion, [11]
- Pentatonic Melody, [61]
- Five-Tone Scale, [78]
- Parallel Motion with Change of Position, [16]
- Melody with Accompaniment, [41]
- Four Unison Melodies (IV), [21]
- Imitation and Inversion (II), [25]
- Repetition (II), [26]
- Accompaniment in Broken Triads, [42]
- Meditation, [45]
- Syncopation (II), [27]
- In Oriental Style, [58]
- Sixths and Triads, [73]
- Increasing-Diminishing, [46]
- In Mixolydian Mode, [48]
- Unison Divided, [52]
- Melody in Tenths, [56]
- Major and Minor, [59]
- Triplets, [75]
- Tribute to Robert Schumann, [80]
- Buzzing, [63]
- Hungarian Matchmaking Song, [74a]
- Dialogue, [65]
- Hungarian Dance, [68]
- Melody against Double Notes, [70]
Kim Baryluk, Circle is Cast (1997)

chorus
Kim Baryluk / Kim Baryluk, Warrior (1993)

chorus
Adam Basanta, Only, only, only, only (2018)

string quartet and 4-channel feedback system
Dan Becker, Droned
Rémy Bélanger de Beauport / Karine Gauthier, Collier sélène de la Terre (2021)

small ensemble and lighting
Rémy Bélanger de Beauport, Peter Burton, Jennifer El Gammal, Brice Gatinet, Émilie Girard-Charest, Aitor Izagirre, Marc-Olivier Lamontagne, Joëlle Léandre, Jean-Sébastien Leblanc, Solomiya Moroz, Emma Rowlandson-O’Hara, Corey Stevens, Jamie Webber, [Improvisation of Monday, October 10, 2011]
Rémy Bélanger de Beauport, Læma (2021)

string quartet