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Collection de timbres (Stamp Collection) is a music event in three parts: the Hétu
Collection, the Roger Collection and the Labrosse Collection.
Event calendar
| Date |
Venue |
Details |
| Tuesday March 17, 1998 |
Maison de la culture du Plateau-Mont-Royal, Montréal, Québec |
The Hétu Collection: An evening of music, film and
literature
The Hétu Collection
Led by the Hétu/Derome team, this concert series features duos. Artists from
various disciplines are invited to establish new creative partnerships by
showcasing three different aspects of their work. Every evening first features
a duo set, followed by a quartet set with the guest duo.
|
| Wednesday March 18, 1998 |
Maison de la culture du Plateau-Mont-Royal, Montréal, Québec |
The Hétu Collection: An evening of music and dance
The Hétu Collection
Led by the Hétu/Derome team, this concert series features duos. Artists from
various disciplines are invited to establish new creative partnerships by
showcasing three different aspects of their work. Every evening first features
a duo set, followed by a quartet set with the guest duo.
|
| Thursday March 19, 1998 |
Maison de la culture du Plateau-Mont-Royal, Montréal, Québec |
The Hétu Collection: Evenings of music and music
The Hétu Collection
Led by the Hétu/Derome team, this concert series features duos. Artists from
various disciplines are invited to establish new creative partnerships by
showcasing three different aspects of their work. Every evening first features
a duo set, followed by a quartet set with the guest duo.
|
| Friday March 20, 1998 |
Maison de la culture du Plateau-Mont-Royal, Montréal, Québec |
The Hétu Collection: Evenings of music and music
The Hétu Collection
Led by the Hétu/Derome team, this concert series features duos. Artists from
various disciplines are invited to establish new creative partnerships by
showcasing three different aspects of their work. Every evening first features
a duo set, followed by a quartet set with the guest duo.
|
| Wednesday April 22, 1998 |
Maison de la culture Villeray—Saint-Michel—Parc-Extension,
Montréal, Québec |
The Roger Collection: Rencontres musique écrite, musique
improvisée
- Jean-Denis Levasseur, clarinets, soprano
saxophone
- Joane Hétu, alto
saxophone, vocals
- Jean Derome, flute,
alto saxophone, baritone saxophone
- Pierre Tanguay,
percussion, drum set
- Diane Labrosse,
sampler, piano
- Kristin Molnar, violin
- Jean René, viola
- Pierre Cartier,
electric bass, doublebass
The Roger Collection
This project is part of the Rencontres musique écrite, musique improvisée
event presented by Codes d’accès. Danielle Palardy Roger was given
“carte blanche” for the evening. Marie Pelletier is her guest.
Three new works will be premiered, including one work in collaboration.
The program:
- Le caillou, le cristal et le camion de Danielle Palardy
Roger
- PRN, requiem de Marie Pelletier
- Le cadavre exquis était bien arrangé de Danielle Palardy Roger
and Marie Pelletier
Danielle Palardy Roger’s influences come from “musique
actuelle,” while Marie Pelletier’s are rooted in contemporary
music. One’s work is a call for engagement in creative music, while the
other’s is the perfect example of a playful, theatrical form of music.
Their meeting is a space for lively exchanges between the creative impulses of
the musician and the composer.
This meeting project between two very different composers also provided the
starting point for what would become the Ensemble SuperMusique, an ensemble
entirely devoted to “musique actuelle.”
|
| Sunday April 26, 1998 |
La
Chapelle, Montréal, Québec |
The Roger Collection: Rencontres musique écrite, musique
improvisée
- Jean-Denis Levasseur, clarinets, soprano
saxophone
- Joane Hétu, alto
saxophone, vocals
- Jean Derome, flute,
alto saxophone, baritone saxophone
- Pierre Tanguay,
percussion, drum set
- Diane Labrosse,
sampler, piano
- Kristin Molnar, violin
- Jean René, viola
- Pierre Cartier
The Roger Collection
This project is part of the Rencontres musique écrite, musique improvisée
event presented by Codes d’accès. Danielle Palardy Roger was given
“carte blanche” for the evening. Marie Pelletier is her guest.
Three new works will be premiered, including one work in collaboration.
The program:
- Le caillou, le cristal et le camion de Danielle Palardy
Roger
- PRN, requiem de Marie Pelletier
- Le cadavre exquis était bien arrangé de Danielle Palardy Roger
and Marie Pelletier
Danielle Palardy Roger’s influences come from “musique
actuelle,” while Marie Pelletier’s are rooted in contemporary
music. One’s work is a call for engagement in creative music, while the
other’s is the perfect example of a playful, theatrical form of music.
Their meeting is a space for lively exchanges between the creative impulses of
the musician and the composer.
This meeting project between two very different composers also provided the
starting point for what would become the Ensemble SuperMusique, an ensemble
entirely devoted to “musique actuelle.”
|
| Thursday May 28, 1998 |
La
Chapelle, Montréal, Québec |
The Labrosse Collection: L’oreille à Vincent:
Déboussolé
- Diane Labrosse,
digital sampler
- Michel F Côté,
percussion, live electronics
- Christof Migone,
vocal motors, devices and electronics
- Martin Tétreault,
turntables, synthesizer
- Jean-Pierre
Gauthier, sound sculptures
- Luc Maltais, sound engineer
- Benoît Fauteux, photographer
- (Luc Maltais and Benoît Fauteux were only featured during the May 29
performance.)
The Labrosse Collection
An installation/performance based on the points of the compass.
The musicians are grouped in the middle of a spatialized sound space, while
the audience can move freely around them. To the north: crackling. To the
South: sliding. To the East: whispering. To the West: banging. This sequence of
points is developed without a compass, with all ears at 360 degrees. An
experiment on the relationship between acoustics and amplification.
Déboussolé was premiered on February 22, 1998, at Radio-Canada’s
Studio 12, for the radio program Le Navire Night.
|
| Friday May 29, 1998 |
Maison de la culture du Plateau-Mont-Royal, Montréal, Québec |
The Labrosse Collection: L’oreille à Vincent:
Déboussolé
- Diane Labrosse,
digital sampler
- Michel F Côté,
percussion, live electronics
- Christof Migone,
vocal motors, devices and electronics
- Martin Tétreault,
turntables, synthesizer
- Jean-Pierre
Gauthier, sound sculptures
- Luc Maltais, sound engineer
- Benoît Fauteux, photographer
- (Luc Maltais and Benoît Fauteux were only featured during the May 29
performance.)
The Labrosse Collection
An installation/performance based on the points of the compass.
The musicians are grouped in the middle of a spatialized sound space, while
the audience can move freely around them. To the north: crackling. To the
South: sliding. To the East: whispering. To the West: banging. This sequence of
points is developed without a compass, with all ears at 360 degrees. An
experiment on the relationship between acoustics and amplification.
Déboussolé was premiered on February 22, 1998, at Radio-Canada’s
Studio 12, for the radio program Le Navire Night.
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